![]() I’m going to use a warm yellow nuance for the light and a variety of purple colors for the shadows.Ī fast method to add lights and shadows is by copying the shape in front, changing it’s color tone and simply deleting the portion you don’t need with the eraser tool. Step 7:Īdding lights and shadows gives the character some volume, so it’s an important stage of the process. I’m going to use pastel nuances, to create a uniform range of colors. You can try a variety of color combinations if you aren’t satisfied with the first choice. I’m using a darker nuance for the distanced objects and a lighter nuance for closer ones, such as the example below. Once I made the general shapes and forms, I start filling them in with colors. It’s important to curve the lines where necessary, so you end up with beautiful, smooth lines when you fill the shape. If you are working with the pen tool, you should make sure all the paths are closed. I’m trying to draw continuous lines because later I will unite them to create closed shapes. The disadvantage is that you sometimes get too many anchor points, which you can easily remove with the smooth tool. It’s easier to draw fluid lines without edges, using a brush. In case you don’t see the brush panel, you can find it in Window-> Brushes. The screenshots below will help you create a new customized brush. I’ll use a calligraphic brush with size 3 and pressure 3. You can draw the main shapes with the pen tool or with a brush if you feel more comfortable. Lock the layer so you won’t be able to select or move it by mistake. Reduce the opacity of the sketch layer to 20-30%. ![]() ![]() Make a new layer and move the sketch on it. I’ll use a canvas with an A4 size, CMYK Color Mode, and 72 dpi Raster Effects. The purpose of the sketch is to make the process of digitalizing easier, so do not put in too many details.Ĭreate a new document in Illustrator CS6. The hair blown by the wind adds a dynamic feel to the composition. Using similar forms is what makes the character memorable and customized. I’m going to use rounded shapes with sharp and thin ends. On this stage, you should only add the axes, which show the movement of the body and the general forms. ![]() You can try more than one until you’re satisfied with the result. I’m starting with a fast sketch of construction lines, trying to define the position and the proportions of the character. Tools: Adobe Illustrator CS6, Wacom graphic tablet, and creativity ADVERTISMENT: The Best Deals For Digital Design Assets. ![]()
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